This part could also be a good place where we could have some nature and animal sounds. And in the end, when the bass and guitar stopped playing, the track felt more calm, giving us some relaxation. The secondary dominant gave us an adventurous feeling. This gives us also some kind of representation of a farm, where you hear sounds from all around. The melody uses often call and response, presenting parts of the melody with different instruments. The rhythm is not 100% on the grid, but some of the notes are a bit "behind", giving us a laidback feel. One of the key elements of this track is that we almost exclusively used notes and chords from the major scale.
The banjo still plays the melody, but now the marimba plays a pattern similar to what the banjo played in the A-section Let's repeat this section, but let's do the same thing that we did in the A-section. As well as filling out after the banjo has stopped playing, it also represents something small we might want to check out and explore. The electric piano is still doing the call and response after a long banjo melody. At the very end, we hear the electric piano play a short line. Even though we might not found what we initially searched for, we continue our adventure! After this, we hear a D major and E major, leading us finally back to the tonic. But playing a major on the second degree of our scale, called a secondary dominant, gives the track some kind of optimism. Maybe we did not find what we expected to find in the mines? But wait? What is this? We now go to a B major! This chord is not in the A major scale, as normally it would be B minor. This gives us some kind of unfulfilled ending.
KONTAKT FACTORY LIBRARY VIBRAPHONE FREE
This product will not work with the FREE Kontakt Player except in demo mode.After 8 bars of this, we would maybe expect to come back to the tonic.
KONTAKT FACTORY LIBRARY VIBRAPHONE FULL VERSION
IMPORTANT: You will need the FULL version of Kontakt 6.4.1 in order to use ITP. Zero-G have also included 82 Snapshots which will help speed up your workflow and also give you a starting point to create your own incredible textures. These patches are great for creating beautiful, ethereal atmospheres. Crotales, cymbals, glockenspiel, vibraphone and waterphone are also available as bowed instruments. Playing a note with the mod-wheel completely down will trigger a sparse improvised loop on that pitch start moving the mod-wheel up to gradually crossfade to the medium and finally, to the dense layer.Īs well as the Impromptu patches for Glockenspiel, Vibraphone and Crotales Zero-G have also created bonus Impromptu patches for cymbals (Chinese, 17” and 18”) and snare drum (played both with brushes and sticks): they are more experimental in nature and perhaps not as immediate to use but can lead to rather interesting sounds. Zero-G recorded 3x round robins in three different intensity layers that you can crossfade between using the central control. The centrepiece of ITP is the Impromptu Engine a system that combines loops of improvised, un-synced snippets with a granular synthesizer to create unique and unusual sounds and atmospheres. These all have an incredible organic quality. In addition to this, a number of sound design patches using different percussions as source material are also provided. 3 different cymbals (Chinese, 17” and 18”).ITP is a fantastic tool for improvisation and serendipity and will be a great addition to your acoustic arsenal. It is dedicated to the creation of amazingly beautiful, eerie and complex soundscapes using only percussion instruments recorded by percussionist extraordinaire Hugh Wilkinson. Impromptu Textural Percussions is a unique and experimental Kontakt 6 instrument featuring 30 individual instruments and over 5GB of samples (uncompressed). An incredible tool for creating amazingly beautiful, eerie and complex soundscapes
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